Libro electrónico, 300 páginas
Idioma Italian
Publicado el 25 de marzo de 2021 por Fazi.
Traduzione di Donatella Rizzati
Piranesi vive nella Casa. Forse da sempre. Giorno dopo giorno ne esplora gli infiniti saloni, mentre nei suoi diari tiene traccia di tutte le meraviglie e i misteri che questo mondo labirintico custodisce. I corridoi abbandonati conducono in un vestibolo dopo l’altro, dove sono esposte migliaia di bellissime statue di marmo. Imponenti scalinate in rovina portano invece ai piani dove è troppo rischioso addentrarsi: fitte coltri di nubi nascondono allo sguardo il livello superiore, mentre delle maree imprevedibili che risalgono da chissà quali abissi sommergono i saloni inferiori. Ogni martedì e venerdì Piranesi si incontra con l’Altro per raccontargli le sue ultime scoperte. Quest’uomo enigmatico è l’unica persona con cui parla, perché i pochi che sono stati nella Casa prima di lui sono ora soltanto scheletri che si confondono tra il marmo. Improvvisamente appaiono dei messaggi misteriosi: qualcuno è arrivato nella Casa e sta cercando di …
Traduzione di Donatella Rizzati
Piranesi vive nella Casa. Forse da sempre. Giorno dopo giorno ne esplora gli infiniti saloni, mentre nei suoi diari tiene traccia di tutte le meraviglie e i misteri che questo mondo labirintico custodisce. I corridoi abbandonati conducono in un vestibolo dopo l’altro, dove sono esposte migliaia di bellissime statue di marmo. Imponenti scalinate in rovina portano invece ai piani dove è troppo rischioso addentrarsi: fitte coltri di nubi nascondono allo sguardo il livello superiore, mentre delle maree imprevedibili che risalgono da chissà quali abissi sommergono i saloni inferiori. Ogni martedì e venerdì Piranesi si incontra con l’Altro per raccontargli le sue ultime scoperte. Quest’uomo enigmatico è l’unica persona con cui parla, perché i pochi che sono stati nella Casa prima di lui sono ora soltanto scheletri che si confondono tra il marmo. Improvvisamente appaiono dei messaggi misteriosi: qualcuno è arrivato nella Casa e sta cercando di mettersi in contatto proprio con Piranesi. Di chi si tratta? Lo studioso spera in un nuovo amico, mentre per l’Altro è solo una terribile minaccia. Piranesi legge e rilegge i suoi diari ma i ricordi non combaciano, il tempo sembra scorrere per conto proprio e l’Altro gli confonde solo le idee con le sue risposte sfuggenti. Piranesi adora la Casa, è la sua divinità protettrice e l’unica realtà di cui ha memoria. È disposto a tutto per proteggerla, ma il mondo che credeva di conoscere nasconde ancora troppi segreti e sta diventando, suo malgrado, pericoloso. Susanna Clarke, autrice fantasy fra le più acclamate, torna in maniera trionfale con un nuovo, inebriante romanzo ambientato in un mondo da sogno intriso di bellezza e poesia.
«Piranesi mi ha sbalordita. È un esempio di storytelling miracoloso e luminoso». Madeline Miller
«Un avvincente, suggestivo mistero. Questo libro è un tesoro trasportato dal mare su una costa dimenticata, che attende solo di essere scoperto». Erin Morgenstern
«Che mondo ha creato Susanna Clarke… Piranesi è un puzzle squisito». David Mitchell
«Ci riporta decisamente a Sogno di una notte di mezza estate, per non parlare de La tempesta. Susanna è una di quegli scrittori che usano gli strumenti della fantasia per parlarci di noi stessi». Neil Gaiman
«La pubblicazione di Piranesi conferma che Susanna Clarke è fra i più grandi e interessanti scrittori di fantasy degli ultimi cent’anni o più». «Times Literary Supplement»
Luin Piranesin nyt toisen kerran. Matka oli erilainen nautinto nyt kun tiesin mitä tapahtuu. Kirjassa on niin rauhaisa, epätodellinen tunnelma, ja selitys on ihmeellinen, toivoisi sen olevan totta. Aallot, linnut, loppumattomat salit ja tuhannet patsaat.
Ik heb in het begin een beetje moeten doorzetten om niet op te geven. Een uniek verhaal, een beetje speciaal.
This was a lovely, interesting, engaging book. It was rammed with Narnia references that you simply wouldn't have noticed if you happened not to be familiar with Narnia, but which were huge fun if you were. Piranesi himself was likeable, and I rooted for him from the start, even as he started to understand that he hadn't always been a person he could like.
But so many world-building questions were left completely unanswered!
Borjes' surreal worlds described in the characteristic cozy style. Magnificent and intoxicating, Clarke does know how to write on magic.
És brillant la descripció del món alternatiu, gegant, infinit (?), quasi oníric on hi habiten els (pocs) personatges. D'on surt tot plegat? Què hi fa allà en Piranesi? El seu metodisme i racionalitat semblen l'única manera de sobreviure-hi. A través de les seves investigacions, sabem més sobre la naturalesa d'aquest món fantàstic (?).
A beautiful reflection on the human condition. And an absolute masterclass in world building. Unlike other fantasy novels, the world is not very deep, but the way it is revealed and layered through the eyes of the protagonist is unlike anything I've read before.
I like this a lot. I'm not sure why it took me so long to get around to it. it was like a really good, really satisfying meal.
Unique and richly allegorical. You'll fall in love with the titular character.
Unexpected, mysteryous and very engaging. A fresh fantasy with a touch of philosophy.
Advertencia de contenido Minor spoiler, which reveals a mid-book event which is very different in setting than the consistency of the opening chapters might suggest.
I really enjoyed this. I was captured by the reliable hook of an initially confounding fantastic or symbolic setting, gradually made comprehensible as information is revealed and the reader acclimatizes to the concepts in play. The infinite architectures of The House reminds me of the similarly spectacular House of Leaves, or the YouTube Backrooms phenomenon. It makes me want to revisit the symbolic locations of Banks "The Bridge". It reminds me of deeply evocative late nights, lost in endless videogame worlds.
About 2/3 of the way through, I caught a reference as a character is using childhood memories as part of a ritual to reopen a doorway to a lost world, from the rose garden of his childhood home. As potential doorways begin appearing, he notes "The color of the roses was supernaturally bright."
This is no doubt a deliberate reference to Aldus Huxley's "Doors of Perception" (bookwyrm.social/book/168195/s/the-doors-of-perception-and-heaven-and-hell-perennial-classics), a trip report on the opening of said doors during the psychedelic experience of mescaline, in which repeated reference is made to a supernaturally bright and vivid vase of flowers, "shining with their own inner light and all but quivering under the pressure of the significance with which they were charged".
It's hard to overstate how much this book feels written specifically for me - I love books with any sort of physically improbable gigantic building, fantasy books where people enter other worlds, academic thrillers, etc - and Piranesi nails the blend perfectly. A sheer delight with an extremely thoughtful denouement.
This is one of those books that's unlike any other. It's surreal and dreamy and the sheer "what the heck's going on?" factor compelled me to read it all in one day.
A novel like this - light on plot, with an extremely limited cast of characters, told in an epistolary style - really sinks or swims on the narrative voice. Luckily the titular Piranesi is fun to read, and comes across as practical and clever, curious and sweet. His ignorance is charming rather than frustrating, and of course his naivete is all part of the mystery.
Highly recommended to anyone who loves an atmospheric and/or experimental story.
I really liked this story! Glad it got put on my radar from Jacob Geller's video on infinity.
Advertencia de contenido Spoilers at the bottom under a cut
I read this aloud as a bedtime story for a couple of months, and it worked really well. Mostly very short chapters mean plenty of built-in 'another chapter?' breaks; beautiful contemplative descriptions full of wonder, especially in the first half of the book; occasionally gently funny and slow-paced until the last fifth or so. Like Clarke's previous book, Piranesi has a style inspired by historical writing, this time 18th c British diaries, which was a plus for me (I was also reading an actual 18th c diary coincidentally, which was nice. Thomas Hollis' diary is available for free online & his handwriting is very readable...!). It's a lot shorter and less dense than Jonathan Strange & Mr Norrell, quiet, often contemplative, and lovely to read.
Content warnings: Manipulation & gaslighting, violence (not particularly graphic)
Spoilers below: Strong plural vibes in this book, that don't end up (afaik as a non plural person) in any of the bad plural character holes.
I kept expecting the European Enlightenment style of the House and Piranesi's initial narration to be reframed from a beautiful and wise force to something reflecting the evils of actual Enlightenment thought & politics, but it ended up as mostly an aesthetic choice, if I'm not missing something. It's a very well executed book and, for example, the capitalization serves a narrative purpose very well, but I am a little wary or weary of mobilization of the neoclassical aesthetics of the Enlightenment, & Enlightenment-inspired exploration and categorization, to represent wisdom, truth, peace, tolerance etc without any acknowledgement of the slave trade & colonization that many of its thinkers were supported by and ideas were formed in response to. This is a mostly unformed thought and I have not read anything outside the book on its approach.
I really enjoyed the book, the smaller world that the protagonist lives in is very simple and is intriguing, but not somewhere I feel I need to return to. The larger universe though is interesting, with its reality plus a little magic vibe. I enjoyed the unravelling mystery and it compelled me to read it much faster than I've read books of similar size. The first few chapters describing the House reminded me of the descriptions of The Sleeper Service in Iain M Banks' book Excession. To the point where I thought the book was going to go in a sci-fi direction.
